Denis Ménochet als Peter von Kant | |
Isabelle Adjani als Sidonie | |
Khalil Ben Gharbia als Amir | |
Hanna Schygulla als Rosemarie | |
Stefan Crepon als Karl | |
Aminthe Audiard als Gabrielle |
François Ozon | Director |
François Ozon | Screenplay |
François Ozon | Producer |
Manuel Dacosse | Director of Photography |
Laure Gardette | Editor |
Clément Ducol | Music |
Nathalie Tabareau | Makeup Artist |
Brigitte Taillandier | Sound |
Jean-Paul Hurier | Sound Re-Recording Mixer |
Julien Roig | Sound Editor |
David Bertrand | Casting |
Katia Wyszkop | Production Design |
Pascaline Chavanne | Costume Design |
Aude Cathelin | Production Manager |
Marion Dehaene | First Assistant Director |
Thibault Frey | Second Assistant Director |
Marie Devaux | Property Master |
Florian Cornet | ADR Supervisor |
Dominique Eyraud | Boom Operator |
Matthieu Fichet | Dialogue Editor |
Thibaut Macquart | Foley Mixer |
Charles Michaud | Sound Engineer |
Hubert Teissedre | Foley Mixer |
Roxane Haulot | Visual Effects Coordinator |
Guillaume Le Gouez | Visual Effects Supervisor |
Fredrik Monteil | Digital Compositor |
Léonidas Arvanitis | Focus Puller |
Carole Béthuel | Still Photographer |
Mathilde Blanc | Video Assist Operator |
Victoire Bonin | Second Assistant Camera |
Emilien Faroudja | Gaffer |
Jonathan Ly | Key Grip |
Hervé Ribatto | Grip |
Brice Roustang | Best Boy Electric |
Brice Roustang | Electrician |
Alice Vouland | Electrician |
Amelie Caillart-Milhau | Set Costumer |
Matis Bros | Location Assistant |
Mathieu Laemlé | Location Scout |
Clément Ducol | Music Arranger |
Simon Nathan | Orchestrator |
Cecile Tournesac | Music Editor |
Rainer Werner Fassbinder | Original Story |